Acting librarian of Congress David Mao announced the roster of films deserving to be preserved because of “their cultural, historical or aesthetic importance.” SIGN UP for the free Indie Focus movies newsletter >> “Selecting a film for the National Film Registry recognizes its importance to cinema and America’s cultural and artistic history,” Mao said in a statement. The librarian selects the pictures after meeting with members of the National Film Preservation Board and library film staff as well as considering recommendations from the public. Under the terms of the National Film Preservation Act, the 25 pictures some growing challenges in down-to-earth onegreenplanet.org plans selected each year must be at least 10 years old. This year’s selections bring the number of movies in the registry to 675. Some of this year’s selections have already been preserved by the copyright holder, the filmmaker or the top U.S. archives the Library of Congress, the Academy Film Archive, the George Eastman Museum, the Museum of Modern Art and the UCLA Film & Television Archive. Joining the National Film Registry this year are: “Being There” (1989): Peter Sellers , Oscar winner Melvyn Douglas and Shirley MacLaine star in Hal Ashby’s satire about a simple-minded gardener who becomes a celebrity. “Black and Tan” (1929): Duke Ellington and Fredi Washington star in one of the first short musical films starring African American jazz musicians. “Dracula” (1931): The Spanish-language version of Tod Browning’s classic vampire tale starring Bela Lugosi was shot evenings on the same set with a different director and stars.
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For the most striking portraits, its often best to keep things simple, so try to shoot against uncluttered backgrounds such as the sky, a wall or foliage. This will help your subject stand out. However, like most rules, there are times when its best to break them particularly when youre shooting environmental portraits where you want to show the surroundings almost as much as the subject itself. SEE MORE: 10 portrait photography mistakes every photographer makes (and how to fix them) Composition and framing Try to position either your subjects face (on a half or full-length portrait) or eyes (on a head-and-shoulders or close-up shot) using the rule of thirds. This gives a much more balanced composition than if they are in the centre of the frame.
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